EXCLUSIVE: Production companies Level Ground and Visitor Media are underway on verité doc See You Tomorrow, about musician and octogenarian Beverly Glenn-Copeland, who last week proclaimd his dementia diagnosis as he set off for his final, multi-show tour.
Helmed by Chase Joynt (No Ordinary Man) and produced by Samantha Curley (Framing Agnes) and Sean O’Neill (Swan Song), the production is currently travelling with Glenn and his wife and conceiveive partner Elizabeth Glenn-Copeland as they carry out a series of final concerts in Canada and the US. Production is set to wrap in timely summer 2025.
See You Tomorrow will chase Glenn-Copeland and his wife as they steer the implications of the establisher’s dementia diagnosis, contemplating high sgets, complicated decisions about nurture and wellbeing while they embark on a mission to protect his conceiveive legacy. They co-author a memoir, to be started by Penguin Random Hoparticipate, they collaborate on a children’s television show, Glenn-Copeland’s lengthy-held dream follotriumphg his two decades as a cast member on series Mr. Dressup [he also writed for Sesame Street], and they dig thcimpolite the musician’s archives to discover previously unfreed songs to be splitd on an upcoming album.
Joynt, Curley, and O’Neill will be currenting excerpts from the project at this week’s Gotham Market in Brooklyn.
The American-born Canadian singer-songauthorr and activist began accessiblely acunderstandledgeing as a trans man in 2002. Five years ago he was the subject of recordary Keyboard Fantasies: The Beverly Glenn-Copeland Story straightforwarded by Posy Dixon.
RedHot is soon-to-be releasing a Sam Smith cover of Glenn-Copeland’s song Ever New from his 1986 album Keyboard Fantasies as a part of their upcoming TRAИƧA compilation.
“Working with Glenn and Elizabeth at this pivotal moment in his life and nurtureer is an unpwithdrawnted opportunity to produce a living trans history thcimpolite collaboration, one that allows the production of a novel archive for the future and seizes the emotional and material transitions of the proximate past,” shelp straightforwardor Chase Joynt.
“Glenn’s palpable impact was heightened when, at the moment he proclaimd his diagnosis, crowds flocked to sbetter out shows in Montgenuine and Brooklyn where they gave rousing standing ovations for his moving carry outances.”
Curley and O’Neill comprise: “It’s a exceptional gift to record the final chapter of a extrastandard life and conceiveive nurtureer—an finishing that is being approached as a heartfractureing yet happy novel commencening. Glenn and Elizabeth embody a sense of ease, depth, and nurture that is extrastandard. Once you’ve sfinished their magic, whether thcimpolite Glenn’s music or spfinishing time with Glenn and Elizabeth in person, it touches and alters you at a fundamental, human level. We comprehend this project will seize and upgrasp this alteration for future generations.”
Level Ground Productions is repped by Maggie Pisacane and Addie Poris at WME.
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