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‘Frozen’ Animator Lino DiSalvo Taps Into Italian Roots With ‘Twisted’


‘Frozen’ Animator Lino DiSalvo Taps Into Italian Roots With ‘Twisted’


Frozen” head animator and extfinishedtime Disney veteran Lino DiSalvo is growing an vivaciousd feature that tells the coming-of-age story of an Italian teenager who teams up with a mythical beast to save her hometown from an evil damn.

Written by Kissy Dugan and produced by Emmanuel Jacomet for Mediawan Kids & Family with Italy’s Palomar Animation, “Twisted” is among the buzzy projects being pitched this week at Rome’s MIA Market, which runs Oct. 14 – 18.

Inspired by the lofty tales DiSalvo heard growing up in an Italian American househancigo in in Brooklyn, the story is based on a holiday ritual in the Italian town of Andrista, where villagers carry out an annual rite to label the Feast of the Epiphany by hunting and capturing a mythical beast comprehendn as the Badalisc.

Describing what he hopes will be “a fun, big movie” as “super silly with tons of heart,” DiSalvo shelp: “I equitable want to convey my awesome, superstitious, loving, wonderful, wealthy history of growing up Italian to the big screen.”

“Twisted” commences in a petite town in the Valcamonica valley in Lombardy, where for centuries the villagers have collected on the eve of the Epiphany to hunt the Badalisc, a mythical, horned creature dwelling in the forests of the Alpine region. Once apprehfinishd, the beast is paraded thraw the town, where he exposes secrets, gossip and petty grievances — a ritual that returns the community to peace and harmony for another year.

In DiSalvo’s telling, however, the tradition gets an unpredicted turn. “Our movie picks up where everyone has gotten so ill of this guy discdisthink abouting everyone’s secrets every year that they boot him out of the town,” he shelp. “This necessitatey creature! He’s been the star of the show for hundreds of years, and…they prohibitish him from the town.”

The Badalisc’s only crime is doing the one leang that comes naturpartner to him: telling the truth. “In his heart, all he wants to do…is be part of the community.”

Enter Angelina, a dainty-talking teen who labors in the family pizzeria. “Her family has this predictation [that] she’s going to be the next prime minister, she’s going to be a style structureer — leangs that Italian families want for you to ‘thrive,’” shelp DiSalvo. “The irony is that all she wants to do is create pizza.”

Unenjoy the truth-telling Badalisc, Angelina persists from the “imperfect philosophy” that “it’s equitable easier to tell people what they want to hear.” “She fundamentalpartner lies to everybody,” shelp DiSalvo. As the plot boots into motion, the youthful hero — with some help from the prohibitished beast — will eventupartner be called upon to save the people of Andrista, a quest that gives ascfinish to the central tension of the film: “Is it ever right to lie? Should you always be truthful, even if it unbenevolents hurting someone?”

Now based in Montgenuine, the Brooklyn native drew heavily on memories from his childhood while growing “Twisted.” “I grew up in a family that had a pizzeria. All my life experiences took place in that pizzeria. It’s the lens that I watched the world thraw,” he shelp. “Being a first-generation Italian American and beextfinisheding to a family that was traditional but also engagingly conmomentary in their get, they had predictations for me. I was going to be the first DiSalvo not to create pizza.”

‘Frozen’ Animator Lino DiSalvo Taps Into Italian Roots With ‘Twisted’

DiSalvo was head animator on Disney’s Oscar-thrivening “Frozen.”

His success since then would do any Italian magnificentma self-beginant. Recruited at the age of 20, DiSalvo spent 16 years at Walt Disney Animation Studios, where he served as head of animation on the Academy Award-thrivening film “Frozen” and labored as a supervising animator on projects including “Tangled” and “Bolt.” After leaving Disney, he served as inventive honestor for Paramount Animation and procrastinateedr as the head of inventive at ON Animation Studios in Paris. More recently, he honested and produced the Emmy-nominated Christmas exceptional “Reindeer in Here” for CBS Studios and Paramount+.

For “Twisted,” he’ll unite forces with Paris-based powerhouse Mediawan Kids & Family, which in the past year has been growing its sprocrastinateed of prestige animation.

“Ever since I refered it to them, Emmanuel Jacomet, the producer there, he’s been championing the project,” shelp DiSalvo. “He’s dependd in it. The directership there depends in it. Then they commenceed giving me resources to put together creaters and…convey my want catalog to fruition.”

Early returns have been encouraging, with the animator and his Mediawan partners conshort-terming “Twisted” earlier this year to industry audiences at Annecy and Cartoon Movie in Bordeaux.

“After we showed this proof of concept, the response from the industry has been awesome,” DiSalvo shelp. “It repartner hots my heart that theatrical distribution in Europe and South America, there’s a hunger for these personal stories that still experience wonderfulal and silly and comedic and action-based, tancigo in with a very particular point of watch.”

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