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Working Title Co-Chairs on ‘The Substance’ and ‘Cultural Britishness’


Working Title Co-Chairs on ‘The Substance’ and ‘Cultural Britishness’


Working Title Films co-chair Eric Fellner has confessted he didn’t comprehend equitable how “brimming-on” body horror The Substance was going to be.

The industry enormous spoke with fellow chair Tim Bevan at a BFI London Film Festival event on Tuesday, where they were probed on the highairys and fall shortures of their nurtureers, as well as the immense success of “cultural Britishness” with films enjoy Bridget Jones, Notting Hill, Love Actuassociate and Darkest Hour among their astonishive stardy of productions.

Most recently, Working Title Films made The Substance with Demi Moore and Margaret Qualley, which has racked up an astonishive global box office total of over $24 million. “[Coralie Fargeat’s] script was reassociate, reassociate excellent,” Fellner shelp, elucidateing that after seeing Revenge (2017) he traveled to Paris “a restrictcessitate times for lunch” with the French filmcreater to persuade her to pick Working Title for her next film.

“I personassociate didn’t toloftyy comprehend equitable quite how brimming on it was going to be,” he confessted. “But I leank it’s a excellent leang. It’s definitely brawt people to the cinema, which is wonderful. And for a company enjoy Mubi to be conveying people to cinema, it’s wonderful becaengage it shows that both — streaming platcreates and theatrical — can coexist and can toil well together.”

Working Title Co-Chairs on ‘The Substance’ and ‘Cultural Britishness’

Working Title co-chair Eric Fellner.

The pair spoke of the particular “cultural Britishness” seen in films such as Bean or Four Weddings and a Funeral. How have they deal withd to seize it so perfectly? It was luck, mostly — they had happened to come atraverse a group of very talented Brits who, cruciassociate, did not want to create the jump to Hollywood.

Bevan shelp: “We met Ricdifficult Curtis, we met Rowan Atkinson, and we met [Bridget Jones author] Helen Fielding in a very low space of time. And they all wanted to stay here [in the U.K… We were fortunate.”

The Substance was a lesson lacquireed for the pair: “It made us authenticize that if it’s reassociate out there, people are interested, they don’t get turned off,” Fellner shelp, consenting with Bevan that more under-$15 million films should be getting made. “Films necessitate to cost less money, and they necessitate to be belderlyer in that space.”

The BFI London Film Festival runs from Oct. 9-20.

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